Yorkshire Playwrights is a group of professional and aspiring professional dramatists, active in all the dramatic mediums, stage, television, radio. The group works to encourage the writing and the performing of new plays in Yorkshire and to develop understanding of the dramatist's craft.

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1. If you don't have a word processor and a copy on disk, always prepare at least two copies and always keep one. Scripts are not often lost but they can be; losing your last copy is an avoidable trauma.

2. Check the length of your script. If you are submitting to television or radio, you need to be fairly precise and to have a particular slot in mind. A full-length stage play, as a general rule, should be around two hours playing time. Shakespeare gets away with more and Pinter with less, but it's a good rough guide. Assess the approximate length by reading five or six pages aloud, with pauses, and calculating a time per page. Again, only a rough guide, an hour's playing time might be around 40-45 pages. But check, because length of speeches, amount of stage directions etc, all make a difference.

3. Prepare a title page, which should include your name and address, unless of course the terms of the competition etc require the script to be anonymous.

4. Provide a list of characters, with the briefest of descriptions. EG: 'Walter Carfax - a merchant banker, about 50; Anthony - his eldest son, mid twenties'. Any further description should be in the body of the text.

5. For television plays provide a list of interior settings and exterior locations required, without detailed description. For stage plays provide a note of locations which will be represented on stage. Eg: 'The action takes place in Vanessa's bedroom, Clovis' office, and a motorway service station'.

6. There is generally no need for diagrams and descriptions of stage layout. If you describe what the stage area has to represent, the designer is the best person to make that a reality. Only put something in if you have a particular concept which is intrinsic to the play.

7. Give the script a secure binding. A variety of binding methods are available from stationers. Use one which is easy to handle and does not obscure the left hand side of the page.

8. Acknowledgements and references. If the play is based on fact or on someone else's work, this should be made clear within the manuscript itself.

9. To help protect your rights in your work, put the copyright symbol (or the full word), your name, and the year, at the bottom of the title page. Eg: (c) Alastair Grindle 1994

10 And finally, if you want your brainchild back, enclose a stamped, addressed envelope.