Why do the activities of a bunch of people in polyester jumpsuits
appeal so much to the inhabitants of universities? Mike
Holderness investigates, intrepidly
It's dead good, Jim
Star Trek, for readers who've spent the last 30 years as subjects
in research on sensory deprivation, is a US television series
concerning the doings of the crew of the USS Enterprise, a
spaceship which boldly goes to solve the problems of the Universe
and invariably to defeat assorted baddies with oddly British
accents.
It's also disproportionately popular among the inhabitants of
universities. On the still-largely-academic Internet computer
network you will find around 200,000 people arguing about it:
they exhanged 9390 messages in April. What's the fascination?
The Internet, for readers with have a morbid fear of any
technology more recent than the quill pen, is a network of 20,000
computer networks. On the net you can find a few thousand "news-
groups", where people leave each other electronic messages on
subjects ranging from the row over cold fusion (which is still
simmering, rather more vigorously than the experiments are) to...
Star Trek and much, much weirder things. The net is so odd, and
so placeless, that it wouldn't particularly surprise anyone to
see messages from "kirk@enterprise.mil".
How do the real fans who discuss Star Trek (henceforth ST) so
avidly on the Internet see it? I took the discussion in just one
of the ST news-groups on one day (May 6) : 200 messages from 134
people, 84 of them at universities (8 in the UK). Twelve of the
94 writers whose gender was apparent were women -- a higher
proportion than in many other net discussions. I managed to send
questions to 132 -- and received answers from an astonishing 68.
Many replied that ST was just part of their environment: "I've
always been a SF fan, as far back as I can remember..." "when I
was a pimply teen..." "since I was five years old." Dozens
referred to "superlative acting" and so on -- but then fans
would, wouldn't they?
In the UK also, ST is deeply embedded in the culture. It garnered
1299 mentions in UK broadsheet newspaper articles in the ten
years to the beginning of May. The catch-phrase "beam me up" was
used 126 times: Daily Mail, 04 Mar 94 "Party raid police
'sorry'"; Today TV Talk, 20 Nov 93 "The judge enjoys making
whoopi"... the imagination boggles so well that it'd be a shame
to read the actual stories.
The character Captain Kirk was mentioned 239 times, 16 in April
alone (unless the database is throwing up a real Captain Kirk?).
My bosom buddy Mr Spock merited, illogically, only 163 mentions.
This probably says more about journalists than about ST fans (or
"fen", as the more anorakky construct the plural). After all, the
basic plot of an ST original series episode concerns the
necessity of human individualism, anger, irrationality,
aggression and (just sometimes) gentler emotions to solving the
problems of the Universe: Spock can be taken as a representative
of the planned economy, always shown inadequate by Kirk's
capitalist paragon.
The fans' striking common theme, though, was that ST "provides a
utopian view of our advancement as a species and a civilisation,"
in the words of Guy Lambert, an undergraduate at the University
of Kent. "The idea of a future where mankind is at last at peace
with one another, where barriers of race and gender have been
eradicated, is," he says, "not only a hopeful idea, but one which
we can all try to create."
Jeremy Pace, a computer science student, is attracted by "The
possibility of some of the technology coming true, of today's
problems being solved." Richard Rose, a grad student and lecturer
at the University of Pennsylvania, is attracted by "A futuristic
society in which mankind has become the linchpin in a galactic
federation -- You have to ask?" In all, 22 responded along these
lines.
Ann Williams (a.k.a. "The Pizza Slayer"), circulation supervisor
in the Saint Joseph College library, finds "insight into the
human condition (via aliens and androids who function as
outsiders) and a platform for examining political and ethical
issues in a less threatening manner," and says that ST "treats
the quest for scientific knowledge with respect and wonderment."
Many have a more cultural interest. Susan Eisenhour, Library
Technical Assistant at Eastern Illinois University, says she's
attracted to ST's "Positive view of the future -- well, no. To be
really honest, it has interesting characters and stories told in
a setting I find fascinating: the future."
Paul Yerkey, a graduate student of psychology, says ST "only
appears to be a science fiction show. It is really a show about
the human condition." Janis Maria Cortese, writing from the
"graveyard shift" at a high-energy physics facility, is attracted
by "The idea of so many different cultures and languages
available to me to learn about. I'm a glutton for languages and
love historical linguistics. The idea of being able to study
that much is like a buffet dinner!" (Have been known to discuss
linguist-fen ST, fluent Klingon in. Engineer-fen publish
maintenance manuals for the Enterprise. Budding-writer-fen
contribute their own scripts. And so on...)
"The current ST (The Next Generation) is good escapism at the end
of a long day. I don't take it too seriously and, in fact, enjoy
its frequent bloopers in science." says Rudolf Schmid, Professor
of Botany at the University of California, Berkeley. And Lloyd
Parker, Associate Professor of Chemistry at Emory University,
finds it "Hard to say" what's attractive about ST: "the science
and technology, the stories, the characters..." -- but he says he
posts messages, for whatever reason, most days.
I don't have any guarantee that these people are who they
say they are. That's typical of the net. It seems remarkably
reminiscent, too, of a recurring Star Trek plot: characters find
their perceptions of the world seriously at variance with all
their comrades', and have reason to doubt their sanity. They
always turn out to be sane and genuinely conspired against. In a
world beset by future shock, the students and researchers who are
creating tomorrow's shocks must find ST similarly reassuring.
Computer science PhD candidate Raoul Daruwala refers to the
"scientific spirit which allows characters to come up with a
novel solution to every technical problem, despite the usual
caveat 'Captain, it might be risky'." He calls the show "a
morality play for the age of science," and he has a point.